Question 1: In what ways does your media product use, develop or challenge forms and conventions of real media products?
Our response to the brief was to create a fun and energetic music video that could be enjoyed by viewers of all ages. ‘No More’ by Roni Size is an extremely up-tempo song; therefore we wanted to creature visuals that had a correlation with an animated feeling of the song. By having a speedy and quick creative vision, we decided to make our music video extremely fast and moving. We wanted to tastefully find our stereotypical viewers. Defining our genre was quite difficult, as the artist is heavily influenced by many genres such as indie, drum and bass, and hip-hop. I think that the song ‘No More’ is the perfect fusion of all three genres.
Although it’s hard to pin-point the genre, I think that he has more of a drum and bass background. Looking back on my research, I found out that the main convention of many drum and bass videos, (such as Pendulum’s”Slam”) was to subtly construct a narrative. The story-telling came through the lyrics and was also incorporated in the visuals to set a basic mood and tone of the video. However, another convention of many d&b music videos is the use of performance. Many d&b videos have some sort of live performance in it, for example “Pendulum 'Watercolour'. Performance may be a key element, but it is not the most important thing. We wanted the performance to only be a small part of our music video and that’s why the performance part was never shown on its own on our music video and frequently it was overlay to the main narrative part.
Our perception of the song was about getting cured and how criminals deserve a second chance. We thought the use of mask on our actors can represent that even they don’t like the person they are and they hide it from public.
We wanted to include all the violent and aggressiveness of the criminals. From our research, we found out Roni Siz’es target audience is of an average of 16 – 25. However, we wanted to create a music video and widen the target audience so people from all age can understand the story behind it and the message we were trying to send. The generic conventions of a d&b music video are based highly on the narrative structure. I feel that many d&b music videos have an essence of the concept being the most important element of the video. There is always a message being subtly thrown in, whether it is through visuals or lyrics.
Our protagonist was to show that no matter how much of a bad person you are, you can still be touched by a small song and change. This was showed at the end of our music video when all three of them start smiling. Even though we wanted to make a serious video full of action, we also wanted to create a thought-provoking one too. Another convention of any music video is the use of mise-en-scene. We thoroughly planned out our filming location. A lot like TV programmes such as Channel 4’s ‘Skins’, we wanted to use locations that are instantly recognizable to fellow Bristolians and people from our college, such as st merry Redcliffe church yard and around the college area. It was an ode to The Hit-ups, as they are a famous Bristol based band.
Our opening shot is in a high angle from Redcliffe hill, we wanted to create a tranquil and peaceful setting, and then immediately create tensions and suspense with the stranger looming. I think that the opening of our music video is a lot like the opening to a film where the scene starts showing the city and make you familiar with where the film is taking place; a lot like ‘Easterners’. We also carefully selected our protagonists outfit for example in the police man’s rapping scene the outfit shows a under cover police officer so the criminals don’t escape when they see him.
We tried to think of the stereotypical criminal look for our characters, whilst still fitting the mood of the scene. For example the use of the hoodie and mask and the whole idea of them trying to hide them set up the characters to viewer as a terrible person without them doing anything wrong. Having three different scenarios was our plan to include a vast amount of violent because it is needed to be continuous in order to be effective. As a performance is a key element in many d&b videos, we wanted to include a small amount of performance in our video. I think that the visuals from the performance scenes in our video, sets the tone of a lively song.
We used many close-up shots to make an emphasis on the instruments and Julia ‘the singer’ to show that it was a live performance. We wanted to capture the boisterous activity that our protagonist was missing out on. For the album cover, we placed a mask on the sky and changed it to a ghost look so it’s not extremely noticeable but at the same time, it is there. Then we put the name of the song and artist on top right and put the logo of the artist at the bottom of the cover.
We didn’t use generic portrait shots of the artists or characters on front cover, as it would’ve diverted the attention from the music, to the importance of them. A lot like the Maroon 5 album cover, ‘Songs about Jane’, the album cover is abstract and trippy, and it reflects the mood of the album. We wanted to create a playful, black and white with eye-catching red title album cover to correlate with our serious music video. The use of the red colour for title and a ghost mask on the foreground encourages the CD buyer to think that we are insinuating that our album is “scary”, again it adds to the violence concept of our music video. We wanted the image of mask to be recognizable.
The CD advertisement came out exactly how we wanted it to. We wanted to create a blury and faded picture of one of our criminals with mask and black hoodie as the background and write the texts on top with the same font and colour. During an editing session in IMOVIE, we created still images from the video, unfortunately we discovered the quality of the still shots were very bad when we went to the CLC but when we scaled it up to fit the magazine advert, it looked just like how we wanted it; pixelated and blurry so it was perfect already.
The redness of our texts was the main thing which we focused on during the editing and we had the same effect added to all of our cd covers, inserts and magazine advert. In terms of developing and challenging the conventions of d&b music videos, we decided to poke fun at how serious the majority of d&b videos our by using the dancing at the end of the rapping scene. We wanted to create a friendly video that was original and had never been done before.
We have asked the artist Roni Size himself to comment on our music video and as he is a busy man, he couldn’t do it on time but he said he will by the next couple of days and we are going to put it up as our audience research. We wanted to make a music video which shows the reality of everyday life and things that happen around us and we don’t see. We made it real and showed the violent and it informs the audience without being too aggressive and hard to watch. The final product was successful at sending the message and audience didn’t have any problems understanding it specially the lyrics really fits with the scenes as the music plays. I think that we challenged the generic conventions of a typical d&b music video by simply focusing on the narrative more than the performance.





















